h o m ea b o u tb i o g r a p h yp e r f o r m a n c e sw o r k sc y c l e sc o l l a b o r a t ec o n t a c t

c y c l e s

r e s o n a n t  s t r a n d s

A cycle of five extractable works drawn from the instrumentation: piano, bowed piano and string quartet (34’) (2005-2007).  When all of the works are performed on the same concert, they are programmed in the following order:

e m e r g e” for piano and bowed piano (5’)                        

o f  r e s o n a n c e” for string quartet (9’)

o p e n i n g” for solo cello (5’)

i n c r e s c e n t” for violin and piano (11’)

c a d e n c e” for piano, bowed piano, and string quartet (4’)

o r i g i n s

A cycle of five extractable works drawn from the instrumentation: woodwind quintet and string quartet (30’) (2007-2008).  When all of the works are performed on the same concert, they are programmed in the following order:

t e n d r i l s” for solo b-flat clarinet (4’)

a i r” for wind quintet (6’)

i n  s t i l l n e s s” for bass clarinet and string quartet (9’)

m u r m u r” for bass clarinet and cello (4’)

b r a n c h i n g” for mixed winds and strings (7’)

w a t e r s  o f  t i m e

A cycle of six extractable works (text, Pablo Neruda) drawn from the instrumentation: soprano and flute, clarinet, violin, cello, piano and percussion (2007- ) (35’). When all of the works are performed on the same concert, they are programmed in the following order:

“i f  o n l y” for soprano and flute, clarinet, piano and percussion (in preparation)

“i t s  w h i s p e r” for soprano, bass clarinet and cello (5’) (2008)

“a n d  n o w” for soprano and piano (4)

s o  c l o s e” for soprano and piano (4’)

“i  w a n t” for soprano and piano, violin and cello (in preparation)

t h a t  t i m e” for soprano and flute, clarinet, violin, cello, piano and percussion (7’)

h o r i z o n s

A cycle of five works for mixed winds, strings, harp, pianos and percussion (2009- ). When all of the works are performed on the same concert, they are programmed in the following order:

"n e w  w o r k” for flute, clarinet, harp, piano and percussion (in conception) c o m m i s s i o n  t h i s  

“t i n t e d  s k y” for flute, clarinet, violin, cello, piano and percussion (in preparation)

a s  i f  s n o w” for harp, piano and percussion

c o n s t e l l a t i o n s” for two pianos and percussion quartet

“n e w  w o r k” for winds, strings, harp, piano and percussion quartet (in conception) c o m m i s s i o n  t h i s