c y c l e s
r e s o n a n t s t r a n d s
A cycle of five extractable works drawn
from the instrumentation: piano, bowed piano and string quartet (34’) (2005-2007). When all of the
works are performed on the same concert, they are programmed in the following order:
o r i g i n s
A cycle of five extractable
works drawn from the instrumentation: woodwind quintet and string quartet (30’) (2007-2008). When
all of the works are performed on the same concert, they are programmed in the following order:
“t e n d r i l s” for solo b-flat clarinet (4’)
“a i r” for wind quintet (6’)
“i n s t i l l n e s s” for bass clarinet and string quartet (9’)
“m u r m u r” for bass clarinet and cello (4’)
w a t e r s o f t i m e
A cycle of six extractable works (text, Pablo Neruda) drawn from the instrumentation: soprano and
flute, clarinet, violin, cello, piano and percussion (2007- ) (35’). When all of the works are performed on the same
concert, they are programmed in the following order:
“i
f o n l y” for soprano and flute, clarinet, piano and percussion (in preparation)
“i
t s w h i s p e r” for soprano, bass clarinet and cello (5’) (2008)
“a
n d n o w” for soprano and piano (4)
“s o c l o s e” for soprano and piano (4’)
“i w a n t” for soprano and piano, violin
and cello (in preparation)
“t h a t t i m e” for soprano and flute, clarinet, violin, cello, piano and percussion (7’)
h o r i z o n s
A cycle of five works for mixed winds, strings, harp, pianos and percussion (2009- ). When all of
the works are performed on the same concert, they are programmed in the following order: